DRAWING

A new pencil drawing on cold press. A strange tableau that may test the viewer as much as the artist.

Double Back Slash, 2013
graphite on 140 lb acid free watercolor paper
approximately 6 x 8 inches (15 x 20 cm)
Signed and dated.

A new graphite study. Someday it could become a painting.

Fracker, 2013
graphite on 140 lb acid free watercolor paper
approximately 6 x 6 inches (15 x 15 cm)
Signed and dated.

Traditionally, the ink wash style has been categorized as drawing. Even though this piece was executed with acrylic paint instead of ink, I have chosen to classify it as a drawing. The piece has an inch border on all sides.

The Frenchman, 2011
acrylic on 140 lb acid free watercolor paper
approximately 18 x 24 inches (46 x 61 cm)
Signed and dated en verso.

CLICK HERE FOR A LARGER IMAGE

Traditionally, the ink wash style has been categorized as drawing. Even though this piece was executed with acrylic paint instead of ink, I have chosen to classify it as a drawing. The piece has an inch border on all sides.

I am Small and You are Far Away, 2011
acrylic on 140 lb acid free watercolor paper
approximately 18 x 24 inches (46 x 61 cm)
Signed and dated en verso.

CLICK HERE FOR A LARGER IMAGE

This piece is getting pretty close. I won’t show it to you again until it’s done. It’s got a nice glow going on.

Uma Gawd (Study), 2011.

Some further work toward solidifying this study. Here’s a link to the last update.

Uma Gawd (Study), 2011.

Here is a work in progress, a work in process, a working process and all other eggcorns that could be used to describe this wash. I started the work late last night and should finish tonight. Like any wash, it is important to build slowly and take advantage of opportunities as they arrive. Margin for error for this style of “drawing” is nearly zed.

Uma Gawd (Study), 2011.

Doubledouble Talktalk, 2011.

Bachmann Overdrive, 2011.

Here are some experimental, virtual drawings that I have been toying around with lately. It has been a delight wallowing in the limitations of the mouse as art implement. They may end up as something and they might just hide in the back corner of the barn.

Portrait of a So and So, 2011.

You, Me and Him, 2011.

Guyclops, 2011.