DRAWING

Drawings from T V – True Detective 3

$6 includes shipping in the continental U.S. shipping

True Detective 3, 2014
Graphite drawing on 300 gsm, 100% cotton, acid & lignin free paper.
Approximately 3.5 x 6 inches.
Signed and dated, unique.

Drawings from T V – True Detective 2

$6 includes shipping in the continental U.S. shipping

True Detective 2, 2014
Graphite drawing on 300 gsm, 100% cotton, acid & lignin free paper.
Approximately 3.5 x 6 inches.
Signed and dated, unique.

Drawings from T V – True Detective 1

SOLD OUT

True Detective 1, 2014
Graphite drawing on 300 gsm, 100% cotton, acid & lignin free paper.
Approximately 3.5 x 6 inches.
Signed and dated, unique.

THREE LITTLE

Oink oink oink.

$75 + shipping

Three Little, 2014
Archival ink drawing on 300 gsm, 100% cotton, acid & lignin free paper.
Approximately 11 x 13 inches.
Signed and dated, unique.

DOUBLE BACK SLASH

A new pencil drawing on cold press. A strange tableau that may test the viewer as much as the artist.
Scott Lickstein - Double Back Slash - 2013

Double Back Slash, 2013
graphite on 140 lb acid free watercolor paper
approximately 6 x 8 inches (15 x 20 cm)
Signed and dated.

FRACKER

A new graphite study. Someday it could become a painting.
Scott Lickstein - Fracker - 2013

Fracker, 2013
graphite on 140 lb acid free watercolor paper
approximately 6 x 6 inches (15 x 15 cm)
Signed and dated.

THE FRENCHMAN

Traditionally, the ink wash style has been categorized as drawing. Even though this piece was executed with acrylic paint instead of ink, I have chosen to classify it as a drawing. The piece has an inch border on all sides.
Scott Lickstein - The Frenchman - 2011

The Frenchman, 2011
acrylic on 140 lb acid free watercolor paper
approximately 18 x 24 inches (46 x 61 cm)
Signed and dated en verso.

CLICK HERE FOR A LARGER IMAGE

I AM SMALL AND YOU ARE FAR AWAY

Traditionally, the ink wash style has been categorized as drawing. Even though this piece was executed with acrylic paint instead of ink, I have chosen to classify it as a drawing. The piece has an inch border on all sides.
Scott Lickstein - I am Small and You are Far Away - 2011

I am Small and You are Far Away, 2011
acrylic on 140 lb acid free watercolor paper
approximately 18 x 24 inches (46 x 61 cm)
Signed and dated en verso.

CLICK HERE FOR A LARGER IMAGE

UMA GAWD STUDY (UPDATE)

This piece is getting pretty close. I won’t show it to you again until it’s done. It’s got a nice glow going on.

Scott Lickstein - Uma Gawd (Study) - 2011
Uma Gawd (Study), 2011.

UMA GAWD STUDY (UPDATE)

Some further work toward solidifying this study. Here’s a link to the last update.
Scott Lickstein - Uma Gawd (Study) - 2011
Uma Gawd (Study), 2011.

UMA GAWD STUDY

Here is a work in progress, a work in process, a working process and all other eggcorns that could be used to describe this wash. I started the work late last night and should finish tonight. Like any wash, it is important to build slowly and take advantage of opportunities as they arrive. Margin for error for this style of “drawing” is nearly zed.
Scott Lickstein - Uma Gawd (Study) - 2011
Uma Gawd (Study), 2011.

DOUBLEDOUBLE TALKTALK

Scott Lickstein - Doubledouble Talktalk - 2011
Doubledouble Talktalk, 2011.

BACHMANN OVERDRIVE

Scott Lickstein - Bachmann Overdrive - 2011
Bachmann Overdrive, 2011.

PORTRAIT OF A SO AND SO – YOU, ME AND HIM – GUYCLOPS

Here are some experimental, virtual drawings that I have been toying around with lately. It has been a delight wallowing in the limitations of the mouse as art implement. They may end up as something and they might just hide in the back corner of the barn.

Scott Lickstein - Portrait of a So and So - 2011
Portrait of a So and So, 2011.

Scott Lickstein - You, Me and Him - 2011
You, Me and Him, 2011.

Scott Lickstein - Guyclops - 2011
Guyclops, 2011.